One Synth Challenge: A Full Trance Track using only Prophet Rev2 and MPC One.

video upload by Just Hardware Sound

"I challenged myself to create a full trance track using only one synth. Every sound you hear was created on the Sequential Prophet Rev2, except for the 909 drums. Some sounds are live from the Rev2, while other sounds are multisamples of the Rev2, sampled on the MPC One.

I'm currently working on a soundset for the Prophet Rev2, which will later be released at: justhardwaresound.com"

Morbus Legio | The filthy beauty of Engineered Noise.

video upload by Cinematic Laboratory

"It's always cool to try a new Noise Engineering firmware. But I had my doubts with this one, because it's just a Noise generator and it will not have a dedicated hardware module. It's a freebee. But that's not all, because Morbus means 'disease' in Latin, hopefully in the context of it being a 'sick' firmware.

My doubts were confirmed at first patch. It accepts external sounds, but only to wavefold them in three different levels of destruction. The noise itself has colored noise, covering the rainbow between black- and white noise, but it also allows you to reduce the sample rate, producing something we'd all want to avoid. Who'd want a module with a digital noisefloor of 0 dB?

But they call themselves Noise Engineering for a reason, and Morbus turned out to be an amazing asset to any Eurorack setup. If you love an occasional dark ambient heavy industrial tour, this module will be a lot of fun. However, you'll need to spend some time with it to find all the sweet spots, and try as many of external sources as you can. Wavefolders work best with simple waveforms, and will trash the more complex ones.

I couldn't help thinking of Mordor while patching it. And then, patching a Mutable Rings was just meant to be. Inevitable. Precious. We all love Rings into Clouds. But it belongs in Mordor."

Myth - an overview of Dawesome's Flagship Synth

video upload by Waveform

00:00 Intro & Description
01:48 User Guide & Tutorials
02:13 The Iris
02:59 Transformers
04:00 Modulation
04:22 Signal Flow
04:40 OSC Modules
05:40 Filter Modules
06:34 Resonator
08:01 BTTFM
09:12 FX Modules
10:07 Glurp!
10:20 ARP +
10:45 Summing Up

https://www.tracktion.com/products/myth

DAWESOME MUSIC videos in order published: video uploads by DAWESOME MUSIC

Playlist:
MYTH
MYTH - demo track
MYTH - BRACE YOURSELF FOR A SHOCK
Mare Tranquillitatis - track made with MYTH
MYTH - Preset Demo

A Living Beast

MYTH was built to create the joy and inspiration we feel when playing with hardware. Instead of “programming” sounds you create sounds by exploration and tweaking. The sound is rich and organic, and the entire system acts like one organism.

Re-synthesis

In classical synthesis, oscillator waves are mostly static and you add filters and modulators to "program" all the variations to make the sound organic and interesting. MYTH offers a paradigm shift: drag and drop audio and it will be re-synthesised as an IRIS. The inherent variations and richness of the sample can now be exploited with the TRANSFORMER dials. Of course - you can also add classical LFOs, envelopes or filters as much as you want. Just...you will rarely feel the need!

Look Mum, no Cables

Modular systems are so powerful, but also complex and easily confusing. MYTH has modules, but no cables: like in a pedal board the modules are simply chained from left to right. Insanely powerful and unbeatably simple!

Weird and Wonderful

You can use MYTH as a virtual analog subtractive synth, create shimmering metallics, add colourful acoustic resonances, create glittering grain clouds ... or do all at the same time. From fragrant pads to striking kicks - MYTH can do any sound with ease. And if you prefer to ride a wild horse: there are things like ORBIT, GLURP or ATARI PUNK - weird and wonderful new stuff.

The Fastest Workflow in the West

Let's be honest: sound design can be tedious, and we all love tweaking presets! MYTH goes one step further with a randomisation system on steroids: for example you can freeze sections to keep them unchanged. Or you "breed" new presets from a selection of parent presets. Or you take a sample and then browse through presets to put them over your sample like a dress. It's incredibly easy, fast and fun!

Full Specs

Advanced organic re-synthesis based on machine learning.
More than 700+ presets created by more than 10 sound designers and artists.
Intuitive modular system.
Trainable resonators (by dropping a sample).
Virtual analog filters.
Creative midi effects.
Full MPE support.
Build-in tutorial system.
Powerful and innovative randomisation system.
Intuitive modulation system.
Supports MTS-ESP for microtonality.

New X1L3 - DRAIL - hacked fx processor - eurorack module

video upload by X1L3

"Hardware hacked fx processor module.
What it is and where to get it - below.......

Available at: https://x1l3.bigcartel.com/product/dr...

A few sections of this vid contain strobing and flashing images. If susceptible to seizures then viewer discretion is advised.

Amiga/P3 W95 demoscene spec run down and demo. Created due to a request to demo the module in a way that wasn't 'just noise'. Initially intended to be one part made from the best track out of three that i came up with. Later deciding to shoe horn the two reject demo tunes into it, which lead to it becoming a ramshackle lesson in polygons and 3d. It also caused the whole thing to end up panning out like some kind of messed up fever dream 💀🤣

Drail is an fx processor module based on a fixed chip set containing 100 preset effects. Reverbs, delays, pitch shifters and modulators of various types, such as flangers and phasers. More details are over on the bigcartel link. Hacked referring to the hardware hacking principles applied in reclocking the cpu and messing with the phase in the signal path to turn it into the somewhat weird thing it is now. Hacked also sounds better than circuit bent, which has been done to death as a term and wouldn't fit on the front panel anyway 💀🐗

A bit of a departure from my usual powerelectronix/sound design outings when it comes to modules. Right now this is the only demo i have complete. I'll upload some stuff soon that's more in line with the roots of where i came from, and which features some other new stuff that got completed in the somewhat hell froze over time it took me to complete this outing 🔥🔥

As always - enjoy - or don't.
The sun rises in the morning either way 😘☀️👌

Cheers for checking it out."



"The module is based on a fixed stereo fx processor chip which contains 100 presets. These presets consist of numerous reverbs, delays, harmonizer/pitch shifters and modulators such as flangers and phasers.

It has a mono input, a summed L/R mix output with dry wet control which covers 0-100% wet,
Two 100% wet stereo outputs give access to the ping pong delays and different phases of panning in the stereo field that some of the effects use,
The combination of summed dry wet and separate stereo fx ouputs offers some variation in how you might hook the module up to achieve different results in a setup.

Patches can be selected manually, or by gate inputs with an input to cycle each way through the patches and an input to select them.

In stock form it's a fairly vanilla and quite unremarkable, all be it useful set of fx. By applying some of the tricks learned in my time in the circuit bending arena the whole thing becomes a Swiss army knife of weirdness and opens up to some bizarre effects and unruly behavior. With the principles of hardware hacking applied and the cpu reclocked, along with some creative phase altering in the signal path, the processor takes on an entirely new life. Still being able to run as a useful set of stock reverbs, delays or modulators, but doubling up as an interesting sound design tool. All sorts of mad sounds and unexpectedly good processing can be achieved. Great for soundscapes, turning basic sounds into things that are bigger than the sum of their parts, making guitars sounds insane, it can even be used to turn a saw into a pseudo supersaw that somehow looks like a kind of mutated pwm square by using the modulator fx. This kind of thing gets fat when you start using both the dry wet mix output and the 100% wet L/R outs. With 100 fx to choose from, there's generally something interesting and at times fascinating to be found when messing around with it.

From experience, different fx chip sets behave in radically different ways when attempts to circuit bend or reclock them are made. Some prove to be pointless and uninteresting, others become prone to crashes and are rendered too unpredictable.and useless beyond extreme noise This one happens to be an excellent target for a bit of creative alteration. When underclocking the cpu, a kind of subtle low pass filtering effect is applied. Not enough to make the effect undesirable, but enough to eliminate the unwanted noise inherent to underclocking. In testing this chip set and discovering it's predictable, but quite abstract nature when abused, it became obvious that it would make a brilliant target for an interesting module. One which i'm finding to be an excellent addition to my own rigs. Given the roots of how it came about and how that ended up sounding, it is i imagine an acquired taste, but a quite unique acquired taste in the scheme of things."

Electro at Midnight: An Electro Track, Using Rm1x ROM Sounds and Prophet Rev2 Pads.

video upload by Just Hardware Sound

Tone Science No.9 'Theories and Conjectures' - Various Modular Synth Artists Available Now

video upload by DreamsOfWires

"I have a track (a new version of 'Minimum') featured on the latest Tone Science compilation from Ian Boddy at DiN Records. Available as a digital download, and as a limited edition Digipak CD of 500 copies. Check it out here:

https://dinrecords.bandcamp.com/album...

'Minimum' was recorded entrirely within a Eurorack modular system - sounds, effects, mixing, WAV recording, as a real-time performance (no overdubs). All sound modules are AJH Synth. It uses 6 analog VCOs: The melody is a single VCO (lower frequency) supporting the self-resonating Ladder Filter (upper). The later pattern is 2 VCOs through the Ring SM sub-octave generator. The drone sound in the background is 3 VCOs, 2 through the Wave Swam, and all through the Triple Cross module, where they're cross-faded using 3 seperate LFOs.

From Ian Boddy:
Tone Science sub-label, from DiN records, continues to explore the world of modular synth music.

Following the success and critical acclaim of the first eight Tone Science compilation albums,
DiN label boss Ian Boddy has collated another nine tracks from musicians of varying backgrounds working in the realms of modular synthesis.

As the Tone Science journey continues it never ceases to amaze just how varied and individualistic each musicians work can be. Whilst the hardware is technologically based each artist teases out a reflection of their own musical personality.

This volume kicks off with two pointillistic compositions from Loula Yorke and State Azure with intertwining sequencer patterns flowing and coiling around to create ever changing soundscapes.

CLICK FOR MORE »

Wee Noise Maker PGB-1 – The all-in-one open-source pocket groovebox

video upload by Crowd Supply



via Crowd Supply

"Wee Noise Makers PGB-1 is an advanced yet portable sequencer that lets you craft complex musical pieces anywhere. This all-in-one, open-source, customizable device is designed to empower aspiring musicians, seasoned creators, and makers. It isn’t just an instrument—it’s your gateway to the world of music production and audio synths.

Rock Out, Anywhere
PGB-1 has an open-source stock firmware that makes it a playful and powerful groove box. It allows you to craft complex musical pieces with drums, bass, lead, samples, reverb, bitcrusher, overdrive, and others.

Orchestrated by an advanced sequencer with conditional steps, repeats/ratcheting, pattern chaining, chord sequencing, song mode, live sequencing effects, and more. And it’s also a hackable and customizable device, with CircuitPython, C\C++, and Ada support for programming your own synthesizers, video games, or any audio based projects.

Features & Specifications

Processor: Raspberry Pi RP2040

16 MB Flash
Audio IC: Cirrus Logic WM8960 (or equivalent)

Up to 32-bit at 48 kHz digital audio link
On-chip Headphone Driver, 1 W Stereo Class D Speaker Driver
Up to 3 stereo Line-in/Microphone interfaces
User Interface

128 x 64 monochrome OLED screen
24 addressable RGB LEDs
30 tactile switches
1 capacitive touch strip
Input & Outputs

1x USB Type-C (Power & Data)
1x 3.5 mm Headphone/Headset
1x 3.5 mm Audio Line-in
1x 3.5 mm MIDI Input (TRS type-A)
1x 3.5 mm MIDI Output (TRS type-A)
Internal microphone
Open Source
PGP-1 is an open hardware project. Right now, you can browse the GitHub repo for the device’s firmware. Later, we will make the schematics available to the public."

Running Fully Automatic: An Electro Track, using Rm1x Internal Sounds and Prophet Rev2.

video upload by Just Hardware Sound

"An electro track I created on my Rm1x, using the Prophet Rev2 for 1 pad, with the rest of the sounds coming from the Rm1x. The Rm1x is running fully automated in song mode."

Aureate 📀 (Sequential Take 5 // Elektron Digitone + Red Panda Particle + Strymon Deco 2) Chords Jam

video upload by 2-Minute Warning

"No sequencers were harmed during this recording! 😄 Just wanted to roam with some chords played live on the Take 5 analog synth. Further on I introduced the Digitone FM synth where I used 3 tracks (with 3 different sounds), where 2 of the tracks have their integrated ARPEGGIO enabled, with different settings in order to add some rhythmic complexity to the jam 🥁

The Digitone is being fed into the Particle 2 granular delay then the Deco pedal, in order to add random variations to the FM sounds and some kind of LO-FI vibes!

The MIDI Out of the Take 5 synth is triggering the Digitone. Hence both synths are playing the same notes. However the 2 ARPs on the Digitone help bring the syncopated sounds.

I think that the blending of the analog and digital synths here, makes the global sound and texture of this jam sound quite interesting! Hope you liked it too? 😊

* Hardware used *

// PADS:
- Sequential Take 5 (5-voice analog synth)

// CHIMES:
- Elektron Digitone (8-voice FM groovebox) + Red Panda Particle 2 (granular delay and pitch shifter) + Strymon Deco 2 (tape saturation & doubletracker)"

Uptempo jam with Midicake ARP, Dreadbox Nymphes, Moog Minitaur, Mother 32, MSW-810, DrumBrute Impact

video upload by Jay Hosking

"A live synthesizer jam performed entirely on hardware.

I've had this chord progression kicking around for a little while, the product of a voice-leading exercise I was doing. I was super happy with it but never able to incorporate it into a larger arrangement. Recently, I realized I could just run the chord progression through the Midicake ARP and get some inspiration on the song arrangement, and sure enough, that was all it took (along with a few amazing synthesizers and effects). Really happy with where this one ended up.

Full disclosure: I cut and paste a previous drum fill to the outro drum fill, because I felt the outro drum fill didn't match the quality of the earlier one. Seemed a more judicious approach than recording the whole thing again.

Thanks for listening.

Dirtywave M8 - chord progression sequence
Midicake ARP - four-part sequencing arranger for the chord progression
Kenton MIDI Thru - MIDI Thru out to five devices
DrumBrute Impact through Empress EchoSystem - Drums
Moog Mother 32 through Kinotone Ribbons - Slower mono synth
Michigan Synth Works MSW-810 through Hologram Chroma Console - Faster mono synth
Moog Minitaur through Boss DM-101 - Bass synth
Dreadbox Nymphes through Empress Reverb - Pad synth

Performed and recorded live (minus that small drum edit) to a multitrack recording, with EQ, compression, and limiting on the master.

https://jayhosking.bandcamp.com"

Aodyo Instruments Introduces Loom - Multidimensional MPE MIDI Controller

video uploads by Aodyo Instruments

"We're threading a new path in the world of music creation, where every touch lets you weave your own sonic tapestry. It's about crafting music with a more personal touch, where every note is a thread in your unique musical fabric. Something exciting is looming. Get ready to unravel a new way to experience sound.

https://loom.aodyo.com/kickstarter"



Have you ever dreamed of a MIDI controller that could turn your touch into music just like a real instrument? Meet Loom.

Loom is a multidimensional MPE MIDI Controller designed for immediate playability and expressiveness.
MPE synthesizers and virtual instruments offer you rich sounds that respond to the slightest variation, but there are few controllers fit to the task.

At Aodyo Instruments, we have drawn on our previous experience with the Sylphyo and the Anyma synthesizers to offer musicians a versatile and powerful device.

Whether you play live, record in the studio or compose music in your bedroom, Loom will become a flexible and original addition to your setup.

FEATURES
Don't be fooled by its simple appearance: Loom's magic lies in the synergy between its surfaces and sensors, offering you different playing modes that will allow you to play almost any kind of virtual instrument or synthesizer.

PLAYING MODES
Unravel evolving chords, weave intricate melodies, craft expressive rhythms. Any way you choose to approach it, Loom is designed as an extension of your hands.

Loom can function as a MIDI Keyboard, offering access to a two or three-octave range. You can play notes, bend them, nuance your attack, and add expression by sliding along the keys.

But if you want to break free from the keys, Loom can also work as a MIDI Ribbon, allowing for smooth sliding across its surface. Optionally, it can make sure you land on the right note, making it easier to play with others without losing the free-form nature of the ribbon.

If you want to play chords like a guitar, Loom offers a MIDI Strum mode, where you can choose a chord with one hand and strum virtual strings with the other. Or you can play it like a harp, directly sliding your fingers across the chord.

For rhythmic parts, Loom also got you covered. Its MIDI Drumkit mode has been carefully designed to provide you with a unique and efficient layout for finger-drumming. It can sense the way your finger hits the surface, as well as the position of your hit: flick more or less quickly to open the hi-hat, move your finger along the ride cymbal's edge or bell, and obtain subtle variations on your snare sound. It works great with acoustic and synthetic drum sounds.

For rhythmic parts, Loom also got you covered. Its MIDI Drumkit mode has been carefully designed to provide you with a unique and efficient layout for finger-drumming. It can sense the way your finger hits the surface, as well as the position of your hit: flick more or less quickly to open the hi-hat, move your finger along the ride cymbal's edge or bell, and obtain subtle variations on your snare sound. It works great with acoustic and synthetic drum sounds.

ACTION ZONE
To the left of the surface lies a pressure-sensitive squishy square area called the action zone. Press it to have nuanced control over dynamics or effects.
EDITOR
The companion editor allows you to customize every aspect of your Loom: change modes assign zones, map MIDI controls, set thresholds, and adjust response curves.

2 OR 3 OCTAVES
Craft melodies with two octaves. Weave symphonies with three octaves. Loom is designed for portability, while its extended version, Looom, offers a wider playing range.

BUILT FOR MPE AND LEGACY MIDI
MIDI MPE (MIDI Polyphonic Expression) is an extension of the MIDI (Musical Instrument Digital Interface) standard that enables more nuanced and expressive performance capabilities for electronic instruments.
Traditional MIDI communication allows for control changes to be applied globally across all notes of an instrument. In contrast, MPE assigns each note its own unique channel, allowing for individual control of pitch, volume, and timbre per note.

This innovation opens up a new realm of expressive possibilities, letting musicians bend, slide, and modulate notes independently, much like on acoustic instruments. By providing detailed control over each note's parameters, MPE enhances the expressiveness of electronic music performances.
Loom is designed from the ground up for MPE, but it also works very well with any non-MPE MIDI instruments, even monophonic ones!

DEVELOPER-FRIENDLY
You're not limited to the modes we've designed. If you know your way around code, you can also take over and create your own. You can send a specific MIDI message to enter developer mode, where every input will be sent as-is, and you'll be able to control the LEDs and display by sending MIDI SysEx messages to the Loom from your own program or script running on your computer. This way, you can entirely control what's happening on your Loom, design new playing modes that you can distribute to others, or use Loom as an experimentation platform.

CONNECTIVITY
Using a USB or MIDI cable, you can easily connect your Loom to all your hardware and software: VSTi, Audio Units, hardware, etc.
Here are a few demos that showcase examples of how Loom can be used and setup.

Oberheim EVS-1 Eight Voice Synthesizer w/ Extras

Note: Auction links are affiliate links for which the site may be compensated.
video upload by Isla Instruments

via this listing

CLICK FOR MORE »

A Classic House Track, Using Only a Korg Triton Workstation.

video upload by Just Hardware Sound

"A Classic House track, created by me, using only a Korg Triton. I used a couple external samples, but the rest was regular Korg factory sounds.

justhardwaresound.com"

Can you guess the source of this sound/patch?

video upload by Espen Kraft

And the answer:

CLICK FOR MORE »

Sixty Four Pixels Noodlebox Desktop Hardware Sequencer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Additional SYNTH CITY Listings

You can find demos of the Noodlebox in previous posts here.

"Tested in great working condition, super fun sequencer! Includes AC power supply.

Noodlebox is a four part sequencer for making electronic music. It has analog CV/Gate outputs for each part and supports MIDI.

There are independent sequencer layers, each with a CV/Gate output. Each layer runs separately to the others (although staying in sync) and has its own step count, clock division etc.

Each layer has four pages of up to 32 steps each. Pages can be used for A/B/C/D type pattern variations, for verse/chorus type song sections or chained to make a single pattern of up to 128 steps. You can cue up lists of pages for automatic cycling (up to 32 pages). Arranging pages is designed to be quick and easy to do creatively in a live setting.

CLICK FOR MORE »

Hardware Jams Weekend Challenge - Moon Landing, Alien Concert (focus issue)

video upload by SynthAddict

"Two box jam, make in under 1 hour (or totally live).

Osmose and RC-505

Sadly my best take was just before this one, but I forgot to hit record!
Kids, always remember to hit record. What a dope I was... this one has some timing issues and messy playing. It's OK but I'm sad I messed up the best take. :-(

Also, sorry I messed-up the focus, not my day. :-P"

Audio Damage Introduces AD057 Axon 3

video upload by ObXession



via Audio Damage

"A drum sequencer that thinks outside the box, where each beat is a live wire, sparking and connecting to create a rhythm that's alive. That's Axon 3 for you - not just an update but a complete overhaul of our legendary Axon series. This isn't your ordinary drum machine; it's a sonic adventure, blending the familiar with the futuristic.

At the heart of Axon 3 lies a sequencer inspired by the complex workings of artificial neural networks. Picture neurons, buzzing with energy, passing triggers in a dance of precision and chaos. When a neuron hits its trigger threshold, it doesn't just respond; it sings, through its internal synth voice, sends a pulse out into the MIDI universe, or both. The connections between these neurons aren't random; they're the building blocks of a rhythm sequencer unlike any. And with a dash of probability magic, we've introduced a drum programming style that's utterly unique.

But that's not all. Each neuron in Axon 3 comes equipped with a powerhouse of a synth voice, drawing on the best of both subtractive and FM synthesis, supercharged with a model inspired by our Boomtschack analog hardware drum module.

Axon 3 wraps all this rhythmic innovation in a sleek interface complete with a full mixer, crystalline delay, punchy compressor, and multiple outputs. Whether you're crafting yout next IDM masterpiece, scoring a film, or just exploring new sonic territories, Axon 3 is your co-pilot in this thrilling journey into sound.

So, are you ready to break the rhythm barrier? Welcome to Axon 3.

CHANGES FROM VERSION 2
• Greatly expanded synthesizer voice, with a full model of our Boomtschack analog drum synthesizer hardware (RIP).

• Pitch and scale quantizing of the internal synthesizer voices, for easier melodic programming.

• Extensive randomizer for changing some or all parameters.

• Cymbal oscillator from Tattoo added to noise section.

• Rough Rider compressor added to master output.

• Likelihood of trigger event and ratcheting added to sequencer, to greatly expand the rhythmic potential.

FEATURES
• Artificial Neural Network sequencer features seven neurons, and is easily programmed to create strange new repeating rhythms.

• Seven FM/VA percussion voices that also buss together to create a single monolithic complex percussion synthesizer, via AM and FM busses.

• Full mixer with pan, level, mute, and solo on each voice.

• Built-in stereo delay, for live playability.

• Built-in Rough Rider compressor on the main outputs.

• MIDI in and out, for driving Axon's voices from DAW and hardware sequencers, or driving other software and hardware from Axon.

• Internal transport for non-synchronized playback.

• Resizable vector-based user interface.

• XML-based cross-platform, human-readable preset system, with copy/paste, for easy transferring of your own presets and third-party offerings."

TAL Software Introduces TAL-Pha Roland MKS 50 / Alpha Juno II Emulator & Software Editor

video upload by TAL Software

"All synthesizer sounds were created with TAL-Pha"

TAL Pha vs MKS 50 / Alpha Juno II

video upload by

"This video compares our hardware MKS 50 with the TAL-Pha audio plug-in, which emulates the sound of the hardware device.

The videos try to capture the essence of some sounds. You will not hear beautiful melodies, just some raw hardware factory presets. I'm also a bad piano player. Probably someone else can make a better video.

The tests are carried out with the factory presets of the hardware. Both synthesizers play at the same time. We alternate the output every few seconds. The sequencer shows the volume curves; the first channel is the software and the second is the hardware.

The first row of the spectrum analyzer shows the software synthesizer. The second row is the hardware. The oscilloscope on the top shows the master channel with the waveform of the final output.

The MKS 50 is an analog device. Things will never match exactly. LFOs and DCO phases are free-running and never match. Volume, resonance intensity, and hardware envelopes are slightly different for each voice.

The intro is done with the software emulation and it's internal FX.

Notes:
We improved some things like the envelope, the chorus, and also the bass boost after we made this video."



via TAL Software

TAL-Pha is an instrument plug-in that emulates the sound of the analog 80's synthesizer Alpha Juno II (MKS-50 is the rack version).

The plug-in produces the classic analog sound, combined with modern flexibility and many additional functions. The plug-in can read and convert sysex information from the hardware and can also be used as a controller.

Authentic emulation of the 80's hardware synthesizer.

Resonance boost for filter self-oscillation.

The possibility to detune, modulate, and sync the pulse part of the DCO.

Simple but powerful FX section with delay, reverb, and a bell-eq.

Arpeggiator with different modes.

Stereo UNISON mode with up to seven voices.

Aftertouch and MPE support.

Microtuning support (tun file import and MTS Client).

Original factory banks included.

More than 380 fresh presets by Electric Himalaya, The Unfinished, Saif Sameer, emptyvessel and TAL.

Individual tuning for every voice converts the synths DCO into a VCO.

Reads Sysex files and Sysex MIDI from the hardware device.

Can also control a hardware device. If enabled, it sends Sysex through the plug-in MIDI output (only possible when supported by the DAW).

New Groc Granular Hardware Synth from Oddment Audio

video uploads by oddment audio

Playlist: 1. Groc granular synth - modulating fun

Here we have simple note sustain while modulating grain bandwidth, overlap, placement (in stereo field), distortion drive and filter cutoff frequency. Oh, and our first reveal of the delay unit!

2. Violin and ambience with Groc granular synth

Here we are editing sample loop points, ADSR envelope and Groc's unique "time path" to create lush sustains from a short violin clip.

3. cool fall day + warm groc tones

walking on a cool fall day, accompanied by warm tones produced by groc granular synth

4. Groc - LED sequence with spatial sound

This video shows the first testing of the groc interface board, and includes the first audio demonstrations of spatial sound overlaid. Headphones recommended!

5. Groc Demo - Grain parameters

First demo of groc's grain parameters with a guitar loop as audio sample.

"Sculpt sound. Modulate everything. Do you groc?

Stunning, yes.

Slim, yes.

Powerhouse, also yes.
quad core 64-bit ARM processor
1GB RAM, 4GB of user storage
vivid DSI touch screen
cutting edge signal processing
fits in a bread box

Not like the others.

Groc demonstrates that a compact form can deliver unparalleled functionality. Access dozens of parameters in the custom granular synthesis engine with 4 grains encoders. Achieve one-of-a-kind manipulations of playback speed, shape multiple envelopes, edit audio sample crop and loop points, adjust 4 LFOs, 3 macros and morph between patches with just 8 more encoders. Add in an entire world of effects, accessed with just 4 more.
The large and vivid touch screen provides rich information and beautiful visualizations of your sounds, and enables deep functionality within just a touch or two. Is this where we mention the placard at Oddment HQ that reads, “Down with menu diving!”?

Patch without limits.

Every parameter on groc is a modulation destination, and connecting modulation sources is as easy as plugging in a patch cable (w/o the need to search in your closet).

To go with its myriad destinations, groc has a bounty of modulation sources: 4 LFOs, 4 envelopes, MIDI velocity, key tracking, polyphonic after touch and all the rest.
In the event you were hoping to use a physical patch cable, yes, you can use groc’s modulation sources to wiggle analog voltages via the 4 control outputs. Or configure them as inputs to control any of groc’s parameters with CV from your other gear, a sustain pedal or you name it.

Did you want to sequence a parameter, or draw a custom modulation curve on the touch screen? That seems reasonable and groc will support you. Do you want to connect a dozen or more modulation sources to the same parameter? That is far less reasonable, but that’s just, like, our opinion."

Learn more about Groc and Oddment Audio: www.oddmentaudio.com

GLITCH STORM 2025 // New Synthesis Modes // Hardware redesign //

video upload by SPHERICAL SOUND SOCIETY

"Jamming with the GS 2025. Direct audio, no FX added. I did it yesterday in just two takes and no edition apart of the cut. I hope you like it!

You can get one here:
https://www.tindie.com/stores/jc2046/"